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topothesia

by asher tuil

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1.
i 02:58
2.
ii 05:13
3.
iii 04:45
4.
iv 03:41
5.
v 06:01
6.
vi 04:52
7.
vii 04:58
8.
viii 05:11
9.
ix 08:48
10.
x 08:22
11.
xi 06:49
12.
xii 05:27
13.
xiii 07:22
14.
xiv 07:27
15.
xv 06:18
16.
xvi 06:58
17.
xvii 08:42
18.
xviii 08:43
19.
xix 09:39
20.
xx 07:50
21.
xxi 08:21
22.
xxii 08:14
23.
xxiii 10:11

about

“Around 1867, Captain Burton held the post of British Consul in Brazil. In July, 1942, Pedro Henríquez Ureña came across a manuscript of Burton’s, in a library at Santos, dealing with the mirror which the Oriental world attributes to Iskander Zu al-Karnayn, or Alexander Bicornis of Macedonia. In its crystal the whole world was reflected. Burton mentions other similar devices — the sevenfold cup of Kai Kosru; the mirror that Tariq ibn-Ziyad found in a tower (Thousand and One Nights, 272); the mirror that Lucian of Samosata examined on the moon (True History, I, 26); the mirrorlike spear that the first book of Capella’s Satyricon attributes; Merlin’s universal mirror, which was “round and hollow... and seem’d a world of glas” (The Faerie Queene, III, 2, 19) — and adds this curious statement: “But the aforesaid objects (besides the disadvantage of not existing) are mere optical instruments. The Faithful who gather at the mosque of Amr, in Cairo, are acquainted with the fact that the entire universe lies inside one of the stone pillars that ring its central court... No one, of course, can actually see it, but those who lay an ear against the surface tell that after some short while they perceive its busy hum... The mosque dates from the seventh century; the pillars come from other temples of pre-Islamic religions, since, as ibn-Khaldun has written: ‘In nations founded by nomads, the aid of foreigners is essential in all concerning masonry.’”

Jorge Luis Borges - El Aleph

credits

released March 31, 2020

recorded in east somerville, ma
january 20th-24th, 2020

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all rights reserved

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about

asher tuil Providence, Rhode Island

asher tuil is an artist living and working in wanskuck, providence, ri. for over twenty years asher has worked with recorded sounds as his primary medium. location recordings, electronic synthesis, found sounds and a variety of other sources are used in his compositions to create a rich and dynamically varied body of work which examines these materials extensively. ... more

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